Culture

The Lark Ascending

Leon Bosch

Farewell to Vera Lynn

My starring role in virtual Shakespeare

The DUP opera

The Proms and climate change

An absurdist Cherry Orchard

The King’s College Christmas broadcast

Disabled musicians at the Proms

The fall of ENO

Joan Baez’s farewell tour

Return of The Hitchhiker’s Guide to the Galaxy

The art of “Art”

In praise of Dickensian

Never censor art

Art and accessibility

In praise of Pete Seeger

Benjamin Britten in Moscow

Putting The Anatomy of Melancholy on stage

Samuel Beckett and chess

On the set of Hinterland

Adrian Lester, Rory Kinnear and Othello

Learning a poem by heart

The Mousetrap at 60

Samuel Beckett’s All That Fall

An unfortunate night at the theatre

In search of Uncle Vanya

Remaking the Tricycle Theatre

The accordion superstar

Homage to Harold Pinter

An Israeli orchestra in Bayreuth

Havergal Brian’s Gothic Symphony

Bob Dylan at 70

Is the blockbuster art exhibition dead?

Abbottabad – the poem

Two musical titans

The future of poetry

Welcome to National Theatre Wales

The enduring appeal of Gilbert and Sullivan

Puccini in a pub

The ultimate captive audience

Leave unfinished woks alone

The great Haydn road trip

Strut your monky stuff

Piano guide

Art on the cheap

Music that makes you cry

China – land of 20 million pianists

Photographs from East Germany

Let’s hear it for the Messiah

Concert-going

A Rushdie opera

Boiled-down novels

Britain’s best writer

Down the Line

Bob Dylan in Brixton

Musical prodigies

The Proms in numbers

A blacked-up Othello

Beethoven or bust

Peter Hall and Vladimir Jurowski in partnership at Glyndebourne

Blunkett the Musical

Must reads?

The impact of the Lottery on the arts

Can I make it as an opera singer?

Friends of Radio 3 go on the attack

The new Savoy opera

Very dangerous liaisons

West End duds

Selling Byron

Queuing with the hardcore prommers

How to judge a building

Bust-up at the Booker

Notes from the Verbier Festival

Bob Dylan at 60

Chaos at the South Bank

The Mikado at the Savoy

The Opera House (minus audience) comes to the Albert Hall

Rethinking Penguin Classics

Gheorghiu and Alagna at Covent Garden

Cash for couplets
[Necessary context in the form of the ‘Cash for couplets’ news story]


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Stephen Moss

Offcuts: An archive of selected articles by Stephen Moss: feature writer, author and former literary editor of the Guardian